Comparison of Three Films from the 1920\'s

Robert Flahertys movie Nanook of the North, Margaret Meads Trance and Dance in Bali, and Robert Gardners Rivers of Sand, are the cornerstones of ethnographic films. nonetheless though each compute utilizes different shot types, tv camera angles, editing, narrative and sounds are diverse in many ways, thither is one underlying third estate: the desire to achieve a sense of rattlingness. The classification of pragmatism seems to alter and evolve as the films, and time, progress and isnt easily overt within each film. To find out each films attempt of realism, we must(prenominal) dive into Flaherty, Mead and Gardners films to break them humble into their basic parts, using limited epochs.\nBeginning in concomitant order, Flahertys Nanook of the North is the origination of how ethnographic films- and documentaries as a entire have been made. Having been filmed in the 1920s, however, makes the film seem more than cinematic than documentary. In particular, I noticed that the music distracts viewers from focusing solely on the imagery and adds to our emotional investment, rather than critical analysis.\nAn example of this is the sequence of the hunt for the great seal. by and by finding a botch up hole in the ice, Nanook waits patiently for the moment to fling his harpoon. victimization intense music buildup later this shot, Flaherty does engage the viewer in a more cinematic way, but doing so takes absent from the films realism (theres no tuneful buildup in real life). there are some instances and techniques use by Flaherty, in contrast, that necessitate a sense of realism in his film. Long takes with no editing or token(prenominal) cuts allows events to occur in real time (The building of the igloo window for example). Medium shots inspection and repair the viewer to experience the doing most accurately as if they were living among the Eskimos (the scene of Nanook comprehend to the music box, child consume fish oil) Close-up shots, es pecially with sketch scenes, allow viewers to conjoin more the charact...